Record & CD ReviewsClandestine Pedestrian (2005) by Ray Charles Ives
Keith (5/5): My favorite Rhodes album of recent years. Could be categorized Fusion or Electronic. Having grown a large local following, Ray ... Future 2 Future (2001) by Herbie Hancock
Juergen Martens (5/5): Just rediscovered this one. A lot of hiphop and scratching on this, a superb vocal insert by Chaka Khan and, most of ... Underground (2006) by Chris Potter
Peter Kenney (5/5): Not heard this record as yet but heard a live recording on BBC Radio 3 last night by the same group (with one track from... Live at the Bimhuis (Sets 1 & 2) (2005) by Dave Douglas
Peter Kenney (5/5): Not heard this either, but wanted to make people aware of it. It actually recorded in 2002 but mot released until 2005. ... Meaning and Mystery (2006) by Dave Douglas
Peter Kenney (5/5): Haven't heard this yet, but if it's as good as The Infinite and Strange Liberation then I'm sure it'll be amazing. Featu... Strange Liberation (2004) by Dave Douglas
Peter Kenney (5/5): Great Rhodes playing on the whole record by Uri Caine, the usual amazing tenor playing from Chris Potter. Great writing ... Momentum (2005) by Joshua Redman
Steven (5/5): This is the best electric jazz album ever! A must have!! The Bill Evans Album (1971) by Bill Evans
Nils (5/5): Great album by a even greater pianist.
Like the From Left To Right album Evans is playing piano and Rhodes on this one as we... Return From Exile (2006) by Schantz Segment
Juergen Martens (4/5): It's nice to see how young European musicians, most of them not even having been born back then, rediscover Rhodes-he... Roots, Branches & Leaves (2004) by John Ellis
Remains Nameless (5/5): Check this out. Aaron Goldberg kills. And the killing rhodes on Nowny Dreams aside, check out the piano on John Brow... The In Sound from Way Out (1996) by Beastie Boys
Casey (4/5): The Beastie Boys aren't really thought of producing instrumental music with such songs as "Brass Monkey", "Fight for your Right... On The Corner (1972) by Miles Davis Andreas (5/5): Seems to be a very controversial album...
The first time I listened to it I didn't like it at all, but once I got used to... |